1
00:00:01,235 --> 00:00:05,073
(Georges Bizet's "Habanera"
from "Carmen" playing)

2
00:00:05,073 --> 00:00:06,674
(brake sets)

3
00:00:21,122 --> 00:00:24,492
(music warps)
(Molly) JUST FOUR HOURS
OF MY TIME GONE IN A GOBBLE?

4
00:00:24,492 --> 00:00:28,162
HEY, HEY. WHAT'S UP?
HEY. (chuckles)

5
00:00:28,162 --> 00:00:31,065
HEY. (chuckles)
WHAT UP?

6
00:00:31,065 --> 00:00:33,334
OH. WELL, LOOK AT THAT.

7
00:00:33,334 --> 00:00:35,669
5 PAST 9:00. OFF TO WORK.

8
00:00:38,506 --> 00:00:39,307
MMM.

9
00:00:39,307 --> 00:00:40,808
MMM.
MMM, MMM!

10
00:00:40,808 --> 00:00:43,344
(mouth full) MY GOD.
I'M HAVING A MOUTHGASM.

11
00:00:43,344 --> 00:00:45,913
ACTUALLY, THE CHOCOLATE IS
FLOODING YOUR BRAIN

12
00:00:45,913 --> 00:00:47,415
WITH SEROTONIN,
WHICH GIVES YOU

13
00:00:47,415 --> 00:00:49,717
THE SAME SENSATION
AS A SEXUAL RELEASE--

14
00:00:49,717 --> 00:00:52,420
RICKY, YOU'RE RUINING THIS
FOR ME.

15
00:00:52,420 --> 00:00:54,788
HOW CAN KNOWLEDGE RUIN ANYTHING?

16
00:00:54,788 --> 00:00:57,225
WAIT. WHAT? EVERYBODY GOT ONE
OF MOLLY'S CUPCAKES?

17
00:00:57,225 --> 00:00:59,127
(mouth full)
THESE ARE MOLLY'S?

18
00:00:59,127 --> 00:01:00,328
(thud)
WHOA!

19
00:01:00,328 --> 00:01:01,795
OHH. I WOULD HAVE
EATEN THAT.

20
00:01:01,795 --> 00:01:03,197
ARE YOU GONNA LET
THAT STUFFY CORPORATE COG

21
00:01:03,197 --> 00:01:04,432
BUTTERCREAM YOU UP?

22
00:01:04,432 --> 00:01:06,967
OH. I SEE WHAT THIS IS--
A LITTLE...

23
00:01:06,967 --> 00:01:08,402
(singsong voice)
JEALOUSY.

24
00:01:08,402 --> 00:01:09,970
(rapping)
* SOMEONE DOESN'T LIKE THAT *

25
00:01:09,970 --> 00:01:11,205
* THERE'S ANOTHER
OFFICE HOTTIE *

26
00:01:11,205 --> 00:01:13,307
I'M NOT JEALOUS, OKAY?

27
00:01:13,307 --> 00:01:14,742
I JUST DON'T BUY
THAT WHOLE NICE BRITISH ACT.

28
00:01:14,742 --> 00:01:18,279
SHE'S CONNING YOU GUYS
WITH CUPCAKES. WAIT.

29
00:01:18,279 --> 00:01:20,548
YOU THINK SHE'S HOT?

30
00:01:20,548 --> 00:01:23,884
SHE'S VERY...
(exhales) SYMMETRICAL?

31
00:01:23,884 --> 00:01:24,952
SHE'S SLAVE LEIA HOT,

32
00:01:24,952 --> 00:01:26,520
CHAINED TO JABBA
FOR HIS DELIGHT.

33
00:01:26,520 --> 00:01:29,056
(growls)
(deep voice) MY HOOCHIE!

34
00:01:29,056 --> 00:01:31,225
YEAH, I'D TAP IT.

35
00:01:31,225 --> 00:01:33,627
UH, OKAY.
MEL, JUST CUT HER SOME SLACK.

36
00:01:33,627 --> 00:01:36,096
TRUST ME. IT SUCKS BEING
THE NEW KID IN THIS OFFICE.

37
00:01:36,096 --> 00:01:38,966
I HAVE BEEN NICE TO THE GIRL
SINCE THE MOMENT SHE WALKED IN.

38
00:01:38,966 --> 00:01:42,603
SO SORRY. UH, VERONICA'S CALLING
A BIT OF AN IMPROMPTU MEETING.

39
00:01:42,603 --> 00:01:43,671
IF YOU...

40
00:01:43,671 --> 00:01:45,273
(imitates British accent)
"UH, SO SORRY.

41
00:01:45,273 --> 00:01:47,241
"IMPROMPTU MEETING.
PIP-PIP.

42
00:01:47,241 --> 00:01:51,312
CHEERIO. DAVID BECKHAM."
(sighs)

43
00:01:51,312 --> 00:01:55,015
UH, HELLO. JEALOUSY?

44
00:01:55,015 --> 00:01:56,817
***

45
00:01:56,817 --> 00:01:59,820
Captioned by
Closed Captioning Services, Inc.

46
00:01:59,820 --> 00:02:03,257
IN MY HANDS, I HOLD A STACK
OF BEAUTIFUL, BEAUTIFUL MONEY,

47
00:02:03,257 --> 00:02:04,458
AND... UH-OH...

48
00:02:04,458 --> 00:02:05,493
I'M MAKING IT RAIN.

49
00:02:05,493 --> 00:02:07,461
OH.
OH, LOOK AT THAT.

50
00:02:07,461 --> 00:02:09,363
UM...
MOLLY, SHOULD I BE DOING THIS?

51
00:02:09,363 --> 00:02:10,998
UM, NO.
AND WHY IS THAT?

52
00:02:10,998 --> 00:02:13,367
UH, BECAUSE WE'RE--WE'RE
ACTUALLY QUITE BROKE. (chuckles)

53
00:02:13,367 --> 00:02:14,602
AH, THAT IS CORRECT.

54
00:02:14,602 --> 00:02:17,238
WE ARE FLATLINING.
WHOA. OH.

55
00:02:17,238 --> 00:02:18,872
(imitates monitor emitting
continuous tone)

56
00:02:18,872 --> 00:02:21,409
BUT I AM HERE TO... "CLEAR!"
(imitates defibrillator thunk)

57
00:02:21,409 --> 00:02:22,910
OOH.
(imitates heart beating)

58
00:02:22,910 --> 00:02:25,413
WE GOT A HEARTBEAT.
YAY! THE COMPANY IS ALIVE!

59
00:02:25,413 --> 00:02:27,948
OKAY, AND HOW WILL WE DO IT,
YOU SAY? MOLLY?

60
00:02:27,948 --> 00:02:31,752
NEW CLIENTS, AND CONTRA IS
IN DESPERATE NEED OF SOME.

61
00:02:31,752 --> 00:02:32,953
GREAT NEWS
ON THAT FRONT, LADIES.

62
00:02:32,953 --> 00:02:34,588
I JUST LANDED US A DOOZY.

63
00:02:34,588 --> 00:02:36,757
AND HOW MUCH MONEY
DOES IT PAY, DARE I ASK?

64
00:02:36,757 --> 00:02:39,159
WELL, TO BE PERFECTLY HONEST
WITH YOU, IT IS A PRO BONO GIG,

65
00:02:39,159 --> 00:02:40,160
BUT THERE ARE
CERTAIN HIDDEN BENEFITS.

66
00:02:40,160 --> 00:02:41,462
(whispers) I'LL PASS.

67
00:02:41,462 --> 00:02:42,863
HEAR ME OUT.
(normal voice) PASS.

68
00:02:42,863 --> 00:02:44,232
THERE'S SOMEBODY THERE
I WOULD LOVE FOR YOU--

69
00:02:44,232 --> 00:02:45,833
PASO DOBLE.
MM.

70
00:02:45,833 --> 00:02:48,869
NOW I DO HAVE A VERY LONG LIST
OF RICH POTENTIAL CLIENTS,

71
00:02:48,869 --> 00:02:51,439
BUT I'M NOT GONNA BORE YOU
WITH THAT RIGHT NOW.

72
00:02:51,439 --> 00:02:52,440
MOLLY'S GOING TO.

73
00:02:52,440 --> 00:02:53,874
(singsongy) CIAO, LOVERS.

74
00:02:53,874 --> 00:02:56,544
WHO HERE LIKES GOING
TO LAS VEGAS?!

75
00:02:56,544 --> 00:02:57,778
OH, DUDE.
YEAH!

76
00:02:57,778 --> 00:02:59,146
(speaks indistinctly)
VEGAS, WHAT?

77
00:02:59,146 --> 00:03:00,348
EXCELLENT, BECAUSE...
(beep)

78
00:03:00,348 --> 00:03:02,250
HALFWAY TO VEGAS IS...
(whirs)

79
00:03:02,250 --> 00:03:06,654
THE CRAZY HORSE INDIAN CASINO
AND LEATHER BOOT EMPORIUM.

80
00:03:06,654 --> 00:03:07,721
(whispers) OHH!

81
00:03:07,721 --> 00:03:09,590
THEY ARE HAVING
MAJOR SECURITY ISSUES

82
00:03:09,590 --> 00:03:11,992
AND NEED OUR MAGIC TOUCH.

83
00:03:11,992 --> 00:03:13,461
(chuckles)

84
00:03:13,461 --> 00:03:16,464
WELL, WE ARE GONNA KICK
THE BUTT OUT OF THIS JOB!

85
00:03:16,464 --> 00:03:19,733
I'M GONNA PUT
SOME OF MY BEST MEN ON IT.

86
00:03:24,405 --> 00:03:25,639
OH, LOOK.
THERE'S SOME CHI OVER THERE.

87
00:03:25,639 --> 00:03:28,276
LET ME PULL IT BACK
WITH MY BIG ROPE.

88
00:03:28,276 --> 00:03:30,511
OH, NO.
OH, WHAT'S HAPPENING?

89
00:03:30,511 --> 00:03:31,979
MEI WEI,
I'M STUCK IN A BOX!

90
00:03:31,979 --> 00:03:33,481
(knocks on door)

91
00:03:33,481 --> 00:03:35,516
TERRIBLY SORRY TO INTERRUPT
YOUR TAI CHI LESSON.

92
00:03:35,516 --> 00:03:37,251
I'VE NOTICED THAT
EVERYONE IN THE OFFICE

93
00:03:37,251 --> 00:03:39,387
IS NOW LOOKING TO OZ
FOR DIRECTIONS

94
00:03:39,387 --> 00:03:41,455
INSTEAD OF YOU,
AND HE'S DEVELOPED THIS--

95
00:03:41,455 --> 00:03:43,491
THIS SECRET CODE OF SORTS.

96
00:03:43,491 --> 00:03:44,858
EXCUSE ME, CHAPS.

97
00:03:44,858 --> 00:03:46,527
UH, VERONICA'S REQUESTED
THAT YOU HAVE

98
00:03:46,527 --> 00:03:48,195
A STAGGERED FEEDING SCHEDULE.

99
00:03:48,195 --> 00:03:50,964
THAT MEANS YOU BOTH CAN'T GO
TO LUNCH AT THE SAME TIME.

100
00:03:50,964 --> 00:03:52,700
(camera shutter clicks)

101
00:03:52,700 --> 00:03:54,635
THIS MEANS
IGNORE WHAT YOU'RE SAYING.

102
00:03:54,635 --> 00:03:57,137
PER VERONICA,
NO MORE PORNOGRAPHY

103
00:03:57,137 --> 00:03:59,006
ON YOUR WORK COMPUTERS.

104
00:03:59,006 --> 00:04:00,374
(click)

105
00:04:00,374 --> 00:04:02,676
THIS MEANS
HE AGREES WITH YOU.

106
00:04:02,676 --> 00:04:04,945
I'D LIKE YOU TO ALPHABETIZE
ALL OF YOUR RECEIPTS.

107
00:04:04,945 --> 00:04:06,179
(click)

108
00:04:06,179 --> 00:04:08,916
AND WHEN HE TAPS HIS CHIN,
IT MEANS "MOLLY SUCKS."

109
00:04:08,916 --> 00:04:10,884
YOU KNOW, I MAY NOT LOOK
LIKE IT RIGHT NOW

110
00:04:10,884 --> 00:04:13,421
BECAUSE I'M
IN MY SPECIAL CHI PLACE,

111
00:04:13,421 --> 00:04:16,156
BUT I'M ACTUALLY
UBER PISSED OFF.

112
00:04:16,156 --> 00:04:18,426
WELL, I THOUGHT MAYBE
I COULD ARRANGE A MEETING,

113
00:04:18,426 --> 00:04:20,260
UM, SO YOU COULD NIP
THIS WHOLE THING

114
00:04:20,260 --> 00:04:21,329
IN THE BUD. (chuckles)

115
00:04:21,329 --> 00:04:22,963
I HAVE AN EVEN BETTER IDEA.

116
00:04:22,963 --> 00:04:27,335
HOW ABOUT A FUN LITTLE GAME
OF GOOD COP, BAD COP?

117
00:04:27,335 --> 00:04:29,670
AND UNLESS YOU WANT TO LOSE
YOUR JOBS,

118
00:04:29,670 --> 00:04:33,173
THERE WILL BE AN IMMEDIATE STOP
TO ALL TAPS, RUBS, AND TUGS.

119
00:04:33,173 --> 00:04:34,908
(chuckles)
(chuckles)

120
00:04:34,908 --> 00:04:38,646
AND NO MORE OF THAT.
I DO NOT SUCK.

121
00:04:38,646 --> 00:04:40,080
PERSONALLY, I AM VERY IMPRESSED
THAT YOU FIGURED OUT

122
00:04:40,080 --> 00:04:41,749
MY LITTLE DA VINCI CODE.
I MEAN, HOW DID YOU DO IT?

123
00:04:41,749 --> 00:04:43,817
OH, WELL, I-I HAVE THIS, UM,

124
00:04:43,817 --> 00:04:46,954
THIS WHOLE
HYPERATTENTIVE BRAIN THINGY.

125
00:04:46,954 --> 00:04:50,391
COME ON, WALDO.
WHERE ARE YOU, BROTHA?

126
00:04:50,391 --> 00:04:51,792
OH. HE'S THERE.

127
00:04:52,893 --> 00:04:54,595
AND THERE.

128
00:04:54,595 --> 00:04:55,863
AND THERE AND THERE.

129
00:04:55,863 --> 00:04:58,265
AND I BOUGHT THIS FOR ME!
(clatters)

130
00:04:58,265 --> 00:05:00,233
ANYWAY, THE POINT IS,
VERONICA IS NOW

131
00:05:00,233 --> 00:05:02,370
THE ONLY AUTHORITY
IN THIS OFFICE.

132
00:05:02,370 --> 00:05:04,505
OH, MY GOD.
IS BAD COP ALMOST DONE?

133
00:05:04,505 --> 00:05:06,474
V., I JUST WANT TO SAY,
FROM THE BOTTOM OF MY HEART,

134
00:05:06,474 --> 00:05:08,308
THAT I AM VERY, VERY SORRY

135
00:05:08,308 --> 00:05:09,777
THAT WE GOT CAUGHT.
(sighs)

136
00:05:09,777 --> 00:05:11,812
FROM THIS POINT FORWARD,
 ANYTHING THAT HAPPENS

137
00:05:11,812 --> 00:05:15,215
IN THIS OFFICE I AM GOING
TO RUN RIGHT THROUGH YOU.
(backup alert beeping)

138
00:05:15,215 --> 00:05:17,418
IT'S HERE. IT'S HERE.
IT'S HERE!

139
00:05:17,418 --> 00:05:19,887
(angelic choir vocalizing)
220 BRILLIANT-CUT DIAMONDS,

140
00:05:19,887 --> 00:05:23,924
HAND-SEWN ONTO A BUXOMY 32C
DRAMATIC-LIFT DEMI BRASSIERE.

141
00:05:23,924 --> 00:05:25,426
(whispers) OHH.

142
00:05:25,426 --> 00:05:28,796
HE'S A REGULAR BRA-FFICIANADO.
ASK HIM ANYTHING.

143
00:05:28,796 --> 00:05:31,899
UH, HAVE YOU EVER SEEN ONE
ON AN ACTUAL WOMAN?

144
00:05:31,899 --> 00:05:33,734
THIS IS THE PRO BONO CASE
I WAS TELLING YOU ABOUT.

145
00:05:33,734 --> 00:05:35,803
EVERY YEAR,
"MAXIM" MAGAZINE HIRES US

146
00:05:35,803 --> 00:05:38,406
TO PROTECT THEIR MILLION-DOLLAR
DIAMOND BOOB SLING

147
00:05:38,406 --> 00:05:39,673
AT THEIR ANNUAL EVENT.

148
00:05:39,673 --> 00:05:41,041
JUST SOUNDS LIKE
GOBS OF FUN.

149
00:05:41,041 --> 00:05:42,175
(Oz) YEAH?
BAD COP.

150
00:05:42,175 --> 00:05:45,613
UH, YES, AS WE COVERED
EARLIER IN THE MEETING...

151
00:05:45,613 --> 00:05:46,847
(mouths words)
IF WE'RE NOT GETTING PAID,

152
00:05:46,847 --> 00:05:48,949
THEN WE'RE NOT TAKING
THE JOB.

153
00:05:48,949 --> 00:05:51,151
OH, WHO CARES? WE'RE GONNA HAVE
THE BREAST TIME. (chuckles)

154
00:05:51,151 --> 00:05:56,223
(laughs) "THE BREAST TIME"!
OH, MY GOD. SO, SO HILARIOUS.

155
00:05:56,223 --> 00:05:58,392
BAD COP.
WE STILL CAN'T TAKE THE JOB.

156
00:05:58,392 --> 00:06:00,060
(sighs)

157
00:06:00,060 --> 00:06:02,029
YEAH. CAPTAIN BUMMER OVER HERE,
RIGHT? (chuckles) SHE'S...

158
00:06:02,029 --> 00:06:05,433
THE TOP RUNG OF THE LADDER
HAS SPOKEN.

159
00:06:05,433 --> 00:06:07,267
WE ARE NOT GOING TO DO
THIS JOB.

160
00:06:07,267 --> 00:06:09,102
YOU KNOW WHAT? COME ON, OZ.
WE NEED THIS!
COME ON, MAN.

161
00:06:09,102 --> 00:06:11,439
NO, NO! NO SECRET SIGNALS.
I AM NOT TOUCHING MY NOSE.

162
00:06:11,439 --> 00:06:15,676
I AM NO LONGER IN CHARGE.

163
00:06:18,245 --> 00:06:19,613
(beeps)

164
00:06:19,613 --> 00:06:21,381
(cell phone alerts chime)

165
00:06:25,318 --> 00:06:26,887
HMM-HMM.

166
00:06:28,989 --> 00:06:31,459
OH, I CAN'T WAIT TO GO
TO THIS PARTY TONIGHT.

167
00:06:31,459 --> 00:06:33,260
THERE'S GONNA BE
SO MANY MODELS THERE!

168
00:06:33,260 --> 00:06:34,428
I NEED ANOTHER SLICE.

169
00:06:34,428 --> 00:06:35,929
I WOULDN'T DO THAT
IF I WERE YOU.

170
00:06:35,929 --> 00:06:39,099
RICKEY BORTEN'S OVER THERE,
AND DUDE IS A TALKER.

171
00:06:39,099 --> 00:06:41,201
THE LAST THING YOU WANT TO GET
CAUGHT UP IN IS THE BORTEX.

172
00:06:41,201 --> 00:06:43,136
BUT IT'S THE LATTICE CRUST
THAT MAKES THIS

173
00:06:43,136 --> 00:06:44,772
A CLASSIC DUTCH-STYLE APPLE PIE.

174
00:06:44,772 --> 00:06:46,306
IT'S GOT NOTHING TO DO
WITH THE APPLES.

175
00:06:46,306 --> 00:06:48,141
I MEAN, DUTCH APPLES...
(chuckles) THEY DON'T EXIST.

176
00:06:48,141 --> 00:06:50,844
IT'S A TOTAL FALLACY.
JUST LET ME ENJOY THIS, PLEASE.

177
00:06:50,844 --> 00:06:52,212
YOU SHOULD BE ENJOYING IT,
BECAUSE THIS IS A REALLY...

178
00:06:52,212 --> 00:06:54,548
WHAT'S UP, BOYS? (sighs)

179
00:06:54,548 --> 00:06:56,784
I SEE YOU'RE DIGGIN'
MY HANDIWORK.

180
00:06:56,784 --> 00:06:58,819
YOU MADE THIS?
YEP.

181
00:06:58,819 --> 00:07:02,456
WOW. IT'S SO FLAKY
AND COMPETENT.

182
00:07:02,456 --> 00:07:03,457
WHY DO YOU SOUND
SO SURPRISED?

183
00:07:03,457 --> 00:07:04,692
BECAUSE YOU CAN'T COOK.

184
00:07:04,692 --> 00:07:06,193
YOU USE YOUR STOVE
TO LIGHT CIGARETTES.

185
00:07:06,193 --> 00:07:10,197
YOU, MISSY,
HAVE BROKEN INTO MY CAR

186
00:07:10,197 --> 00:07:14,502
AND BURGLED THOSE PIES,
YOU--YOU PIE BURGLAR.

187
00:07:14,502 --> 00:07:16,737
AND THERE IT IS.
SLOW YOUR ROLL, PIPPA.

188
00:07:16,737 --> 00:07:18,405
NO ONE HERE KNOWS
WHAT YOU'RE TALKING ABOUT.

189
00:07:18,405 --> 00:07:20,373
I HAVE READ YOUR FILE.

190
00:07:20,373 --> 00:07:22,009
I KNOW YOU COME
FROM THIEF BLOOD.

191
00:07:22,009 --> 00:07:24,612
SAID THE NARK
WHO RATTED US OUT

192
00:07:24,612 --> 00:07:26,279
AND TOLD VERONICA
ABOUT OUR SECRET CODE.

193
00:07:26,279 --> 00:07:29,583
I AM JUST TRYING
TO DO MY JOB,

194
00:07:29,583 --> 00:07:32,052
BUT IF YOU ALL
BLATANTLY BREAK THE RULES,

195
00:07:32,052 --> 00:07:33,954
THEN I HAVE TO LET
VERONICA KNOW.

196
00:07:33,954 --> 00:07:36,690
WELL... (chuckles)
THEN I GUESS WE WON'T BE

197
00:07:36,690 --> 00:07:38,792
SO BLATANT ABOUT IT, HUH?

198
00:07:38,792 --> 00:07:42,630
(gasps) MY MUMMY'S TIMEX!

199
00:07:42,630 --> 00:07:43,964
(imitates British accent)
PIP-PIP. CHEERIO.

200
00:07:43,964 --> 00:07:46,066
GOD SAVE THE QUEEN.
UNBELIEVABLE.

201
00:07:46,066 --> 00:07:48,268
I ONLY BAKED THOSE PIES
AS A--AS A NICE GESTURE

202
00:07:48,268 --> 00:07:50,704
BECAUSE YOU ALL HAVE TO WORK
SO LATE TONIGHT.

203
00:07:50,704 --> 00:07:52,873
WHOA, WHOA, WHOA, WHOA!
WHO--WHO'S WORKING LATE TONIGHT?

204
00:07:52,873 --> 00:07:54,207
YEAH, HOW LATE ARE
WE TALKING--

205
00:07:54,207 --> 00:07:55,843
LIKE, DINNERTIME LATE,
5:00, 5:30 LATE?

206
00:07:55,843 --> 00:07:58,478
LIKE, WE CAN LEAVE
AND GO SOMEWHERE ELSE LATE?

207
00:07:58,478 --> 00:07:59,747
DIDN'T VERONICA TELL YOU?

208
00:07:59,747 --> 00:08:01,348
SHE'S BOOKED
THE INDIAN CASINO JOB,

209
00:08:01,348 --> 00:08:06,053
SO WE HAVE 900 HOURS OF
SECURITY FOOTAGE TO GO THROUGH.

210
00:08:06,053 --> 00:08:07,688
THEY THINK THEY MIGHT HAVE
A CARD COUNTER,

211
00:08:07,688 --> 00:08:10,423
AND YOUR JOB IS
TO CATCH THEM POSTHASTE.

212
00:08:10,423 --> 00:08:12,459
SORRY CRUELLA HERE
IS BRINGING THE HAMMER DOWN.

213
00:08:12,459 --> 00:08:15,195
I-I CAN'T CONTROL HER.
SHE'S A BEAST. (chuckles)

214
00:08:15,195 --> 00:08:17,430
BUT THE GOOD NEWS IS,
SLUMBER PARTY! YAY!

215
00:08:17,430 --> 00:08:18,431
OH.
NO.

216
00:08:18,431 --> 00:08:19,600
SOUNDS GOOD.
WH--

217
00:08:19,600 --> 00:08:21,368
QUESTION, THOUGH.
COULD WE MAYBE,

218
00:08:21,368 --> 00:08:22,836
I DON'T KNOW,
DO IT TOMORROW?

219
00:08:22,836 --> 00:08:25,138
OH, MY GOSH.
THAT IS SUCH A GOOD IDEA.

220
00:08:25,138 --> 00:08:26,707
LET ME JUST CALL
CHIEF RUNNING BEAR

221
00:08:26,707 --> 00:08:28,542
AND TELL HIM, "SORRY.
THE WHITE MAN HAS BROKEN

222
00:08:28,542 --> 00:08:30,077
"YET ANOTHER PROMISE. HERE.

223
00:08:30,077 --> 00:08:31,779
"LET ME GIVE YOU THIS BLANKET
RIDDLED WITH SMALLPOX.

224
00:08:31,779 --> 00:08:32,780
THAT WILL MAKE YOU
FEEL BETTER."

225
00:08:32,780 --> 00:08:33,814
(laughing) RIGHT?

226
00:08:33,814 --> 00:08:35,248
THIS GUY RIGHT HERE...

227
00:08:35,248 --> 00:08:37,017
HE'S GOT A MILLION OF 'EM.

228
00:08:37,017 --> 00:08:38,185
YES.
COME ON.

229
00:08:38,185 --> 00:08:39,953
(chuckles)

230
00:08:39,953 --> 00:08:42,690
(whispers) THE PARTY'S TONIGHT.
MAN, WHAT ARE WE GONNA DO?

231
00:08:42,690 --> 00:08:45,525
I DON'T KNOW.
(sighs) CALL OZ?

232
00:08:45,525 --> 00:08:46,960
OKAY.

233
00:08:46,960 --> 00:08:49,162
TIME TO COMMENCE SECRET MEETING
OF CONTRA CLASSIC.

234
00:08:49,162 --> 00:08:50,831
NOW, AS YOU KNOW,
WE HAVE TWO JOBS TO DO

235
00:08:50,831 --> 00:08:52,600
IN THE EXACT TIME
ON THE EXACT SAME NIGHT,

236
00:08:52,600 --> 00:08:54,134
WHICH MEANS ONLY ONE THING.

237
00:08:54,134 --> 00:08:56,604
YES! HUMAN CLONING.
WE MAKE DOUBLES OF OURSELVES,

238
00:08:56,604 --> 00:08:58,238
AND WE MAKE THEM DO
THE CASINO JOB.

239
00:08:58,238 --> 00:08:59,539
WHY DO YOU ALWAYS GO
TO HUMAN CLONING?

240
00:08:59,539 --> 00:09:00,674
IT'S NOT GONNA HAPPEN.

241
00:09:00,674 --> 00:09:01,742
NOT WITH THAT ATTITUDE.

242
00:09:01,742 --> 00:09:03,176
OZ, WE CAN'T DO BOTH JOBS.

243
00:09:03,176 --> 00:09:04,612
WE'D NEED
A WHOLE TEAM OF PEOPLE

244
00:09:04,612 --> 00:09:06,113
TO GET THROUGH
ALL THAT CASINO FOOTAGE.

245
00:09:06,113 --> 00:09:09,082
OR ONE HYPERFOCUSED,
EAGER-TO-PLEASE HUMAN COMPUTER

246
00:09:09,082 --> 00:09:12,786
WITH NOTHING TO DO
ON A FRIDAY NIGHT--MOLLY.

247
00:09:12,786 --> 00:09:16,256
WE WANT TO SEE BOOBY,
WE GOTTA CHARM THE NEWBIE.

248
00:09:16,256 --> 00:09:17,958
HEY, MOLLY!
HEY.

249
00:09:17,958 --> 00:09:20,427
THAT IS A NICE BLOUSE.

250
00:09:20,427 --> 00:09:24,632
OH, THANK YOU. (chuckles)
UM, I-I LIKE YOUR KERMIE.

251
00:09:24,632 --> 00:09:26,233
(inhales deeply)

252
00:09:26,233 --> 00:09:28,335
CASH, TAKE A BREATH.
LET IT GO.

253
00:09:28,335 --> 00:09:31,672
THIS AIN'T NO SOCK PUPPET!
IT'S YODA!

254
00:09:31,672 --> 00:09:34,407
I'M SORRY.
I-I DON'T OWN A TELLY.

255
00:09:34,407 --> 00:09:35,976
BITCH IS CRAZY.

256
00:09:35,976 --> 00:09:38,545
(sighs) SWING AND A MISS.
ALL RIGHT, DIMPLES.

257
00:09:38,545 --> 00:09:39,813
COMMENCE WOO.
(sighs)

258
00:09:39,813 --> 00:09:41,048
YEAH, GREAT.
OHH.

259
00:09:41,048 --> 00:09:42,249
WOO HER UP.

260
00:09:42,249 --> 00:09:44,351
TAKE HER TO DINNER,
GO-CARTING.

261
00:09:44,351 --> 00:09:46,286
FALL IN LOVE. GOOD STUFF.

262
00:09:46,286 --> 00:09:48,021
WHAT IS YOUR PROBLEM?
(chuckles)

263
00:09:48,021 --> 00:09:49,022
HEY, IT'S LIKE
I'VE BEEN SINGIN' ALL DAY.

264
00:09:49,022 --> 00:09:50,257
* THE GIRL IS CRAZY *

265
00:09:50,257 --> 00:09:51,792
* JEALOUS *

266
00:09:51,792 --> 00:09:54,094
I DON'T GET JEALOUS, OKAY?
BUT YOU'RE CRAZY

267
00:09:54,094 --> 00:09:56,596
IF YOU THINK MOLLY POPPINS
IS GONNA FALL FOR THIS.

268
00:09:56,596 --> 00:09:58,198
I'M OUT.

269
00:09:58,198 --> 00:10:00,167
(sighs) UH, WAIT.

270
00:10:00,167 --> 00:10:02,402
HAVE FUN AT THE PARTY.

271
00:10:02,402 --> 00:10:03,603
(door slams)
(whispers) JEEZ.

272
00:10:03,603 --> 00:10:05,005
WHOA. WHAT IS HER PROBLEM?
(hisses)

273
00:10:05,005 --> 00:10:06,740
AH, DON'T WORRY.
SHE'LL BE BACK.

274
00:10:06,740 --> 00:10:08,375
(knock on door)
SEE?

275
00:10:09,743 --> 00:10:11,645
HEY. WE HEARD
YOU GUYS ARE GOING

276
00:10:11,645 --> 00:10:13,580
TO THE HOT LADY PARTY.
WE WANT IN.

277
00:10:13,580 --> 00:10:16,183
I'M A FOODIE. THERE'S GONNA BE
SMALL PLATES, MAN.

278
00:10:16,183 --> 00:10:19,753
BACON-WRAPPED FIGS PAIRED
WITH WINES. NEED I GO ON?

279
00:10:19,753 --> 00:10:21,989
I'M ALREADY NOT WEARING
ANY UNDERWEAR.

280
00:10:21,989 --> 00:10:24,758
THE PEOPLE HAVE SPOKEN.
YOU'RE UP, CAMERON MANHEIM.

281
00:10:24,758 --> 00:10:26,727
COMMENCE JOHN WOO.

282
00:10:26,727 --> 00:10:27,895
ME? (chuckles) REALLY?

283
00:10:27,895 --> 00:10:29,462
YEAH.
YOU WANT ME?

284
00:10:29,462 --> 00:10:31,031
WE THINK YOU'D BE
A GREAT ADDITION TO THE TEAM.

285
00:10:31,031 --> 00:10:32,599
OH, THIS IS SO UNEXPECTED.

286
00:10:32,599 --> 00:10:35,769
I WAS BEGINNING TO FEAR
PERHAPS YOU WEREN'T FOND OF ME.

287
00:10:35,769 --> 00:10:36,937
HEY, THERE'S
THE NEW RECRUIT!

288
00:10:36,937 --> 00:10:39,172
GOT YOUR PEPPER SPRAY,
YOUR BILLY CLUB,

289
00:10:39,172 --> 00:10:40,841
AND HERE'S
YOUR 9-MILLIMETER BOBCAT...

290
00:10:40,841 --> 00:10:42,442
WITH LASER SCOPE.

291
00:10:42,442 --> 00:10:45,178
UM, I THOUGHT WE WERE ALL
LOOKING AT BLACKJACK FOOTAGE.

292
00:10:45,178 --> 00:10:47,114
WE GOTTA GO IN. WE GOTTA
GET THE LAY OF THE LAND,

293
00:10:47,114 --> 00:10:49,016
BUT DON'T WORRY ABOUT IT.
YOU WON'T NEED THIS HAND CANNON,

294
00:10:49,016 --> 00:10:51,985
BUT JUST IN CASE YOU DO,
DON'T HIT ANY CIVVIES. THEY SUE.

295
00:10:51,985 --> 00:10:55,055
OH.
AND DON'T FORGET
YOUR PROTON PACK.

296
00:10:55,055 --> 00:10:57,925
OH. THIS--
THIS LOOKS UNSAFE.

297
00:10:57,925 --> 00:11:01,294
NO, YOU'RE FINE!
JUST DON'T CROSS THE STREAMS.

298
00:11:01,294 --> 00:11:02,796
WHAT HAPPENS IF YOU CROSS
THE STREAMS?

299
00:11:02,796 --> 00:11:03,997
ALL RIGHT, EASY DOES IT,
ERNIE HUDSON.

300
00:11:03,997 --> 00:11:05,398
ALL RIGHT.
WELL, YOU GUYS HAVE FUN.

301
00:11:05,398 --> 00:11:06,934
HIT ME ON THE WALKIE-TALKIE
IF YOU NEED ME.

302
00:11:06,934 --> 00:11:09,369
WAIT!
YOU'RE NOT COMING WITH US?

303
00:11:09,369 --> 00:11:11,504
NO. I'LL BE HANGING HERE,
POURING THROUGH

304
00:11:11,504 --> 00:11:14,341
THE BORING OLD CASINO FOOTAGE,
SO... (clicks tongue)

305
00:11:14,341 --> 00:11:16,009
SOMEONE'S GOTTA DO IT.

306
00:11:16,009 --> 00:11:17,344
ME!

307
00:11:17,344 --> 00:11:18,779
ME.
OH.

308
00:11:18,779 --> 00:11:20,247
I'LL STAY HERE...
WELL--

309
00:11:20,247 --> 00:11:22,115
IN THE OFFICE,
WHERE IT'S SAFE.

310
00:11:22,115 --> 00:11:23,683
YOU SEE, I-I'M JUST,
UH, A LITTLE BIT

311
00:11:23,683 --> 00:11:25,685
OF A--OF A SAFETY FREAK.
(chuckles)

312
00:11:25,685 --> 00:11:26,686
YOU SURE?

313
00:11:26,686 --> 00:11:27,687
(bell dings)
QUITE.

314
00:11:27,687 --> 00:11:29,656
(chuckles)

315
00:11:29,656 --> 00:11:30,758
GOOD LUCK, THOUGH.

316
00:11:30,758 --> 00:11:31,759
(imitates British accent)
CHEERIO!

317
00:11:31,759 --> 00:11:33,060
(doors close)

318
00:11:33,060 --> 00:11:34,895
YOU HEARD THE LADY.
TIME FOR WORK.

319
00:11:34,895 --> 00:11:36,429
(Velcro rips)
IT'S GO TIME.

320
00:11:36,429 --> 00:11:37,765
(rips)

321
00:11:37,765 --> 00:11:38,766
HA HA!
(rips)

322
00:11:38,766 --> 00:11:41,134
OH!

323
00:11:41,134 --> 00:11:44,204
NO ONE TOLD ME
WE WERE WEARING OUR TUXES.

324
00:11:44,204 --> 00:11:46,874
I'M NOT EVEN GONNA
LOOK DOWN.
(bell dings)

325
00:11:48,175 --> 00:11:51,044
(Joy Enriquez'
"Boom Chicka Boom" playing)

326
00:11:51,044 --> 00:11:52,980
* WELL, READ THE SIGNS
OF MY BODY *

327
00:11:52,980 --> 00:11:54,948
* CAN'T YOU FEEL ME
GETTING NAUGHTY? *

328
00:11:54,948 --> 00:11:58,685
***

329
00:11:58,685 --> 00:12:02,756
THE ICE HAS ARRIVED.
I REPEAT, THE ICE HAS ARRIVED.

330
00:12:02,756 --> 00:12:04,157
***

331
00:12:04,157 --> 00:12:05,959
ALL RIGHT, LET'S BLEND IN,
TRY NOT TO DRAW

332
00:12:05,959 --> 00:12:07,660
ANY ATTENTION TO OURSELVES.

333
00:12:07,660 --> 00:12:09,897
OH, MY GOD. OPEN BAR.
BODY SHOTS!

334
00:12:09,897 --> 00:12:11,264
(indistinct conversations)

335
00:12:11,264 --> 00:12:13,533
YOU'RE LATE.
LET'S GET THE BRA BACKSTAGE.

336
00:12:13,533 --> 00:12:15,002
OZ, YOU SAID IT COULD BE ME.

337
00:12:15,002 --> 00:12:17,070
YOU PROMISED! (singsongy)
NO TAKE-BACKSIES!

338
00:12:17,070 --> 00:12:20,340
JUST TRY TO ACT LIKE
YOU'VE BEEN THERE, KID.

339
00:12:20,340 --> 00:12:21,341
(bell dings)

340
00:12:21,341 --> 00:12:23,210
WHOO! I'M READY!

341
00:12:23,210 --> 00:12:28,882
(singsongy) CHILDREN, MOMMY'S
GOT SOME LATE-NIGHT SNACKIES...

342
00:12:28,882 --> 00:12:30,450
JUST ME, I'M AFRAID.
THE OTHERS HAVE GONE

343
00:12:30,450 --> 00:12:33,320
ON A DANGEROUS RECON MISSION
TO THE CASINO.

344
00:12:33,320 --> 00:12:35,655
I THOUGHT IT WOULD BE BEST
TO STAY HERE,

345
00:12:35,655 --> 00:12:37,024
AWAY FROM THE PROTON PACKS

346
00:12:37,024 --> 00:12:39,459
AND THE CROSSING
OF THE STREAMS, ET CETERA.

347
00:12:39,459 --> 00:12:40,994
(chuckles)
(laughs) DID YOU NOW?

348
00:12:40,994 --> 00:12:42,529
APPARENTLY,
THEY'RE MAKING HEADWAY.

349
00:12:42,529 --> 00:12:44,497
CASH JUST CALLED AND SAID
THEY'VE GOT A LEAD

350
00:12:44,497 --> 00:12:46,733
ON SOMEONE CALLED
"GOZER THE GOZERIAN."

351
00:12:46,733 --> 00:12:48,869
(can hisses)
SOUNDS LIKE
QUITE AN UNSAVORY FELLOW,

352
00:12:48,869 --> 00:12:52,005
IF YOU ASK ME. (laughs)
(gulping)

353
00:12:54,674 --> 00:12:57,444
(crinkle)
AHH.

354
00:12:57,444 --> 00:12:58,778
(clatters)

355
00:12:58,778 --> 00:13:00,047
OH.

356
00:13:00,047 --> 00:13:03,650
ALL RIGHT.
TIME FOR THE REAL BAD COP.

357
00:13:03,650 --> 00:13:05,252
(man) * COME AND GET
 SOME OF MY BASS DRUM *

358
00:13:05,252 --> 00:13:06,753
* COME AND GET
 SOME OF MY BASS DRUM *

359
00:13:06,753 --> 00:13:08,188
* COME AND GET SOME
 OF MY BASS DRUM *

360
00:13:08,188 --> 00:13:10,858
HEY,
NUMBER SEVEN ON THE HOT LIST.

361
00:13:10,858 --> 00:13:11,859
(high-pitched voice) DAMN!

362
00:13:11,859 --> 00:13:12,893
(normal voice) NUMBER 14?

363
00:13:12,893 --> 00:13:14,161
YOU'RE NUMBER ONE IN MY BOOK.

364
00:13:14,161 --> 00:13:15,562
(whispers) OH, DAMN!

365
00:13:15,562 --> 00:13:18,165
AHEM. OKAY. WE ARE FIVE
AWAY FROM THE FINALE.

366
00:13:18,165 --> 00:13:19,499
LET'S GET IT ON THE MODEL.

367
00:13:19,499 --> 00:13:20,767
NO PROBLEM.

368
00:13:20,767 --> 00:13:23,636
(gasps) DAMN! DOUBLE DAMN!

369
00:13:23,636 --> 00:13:27,040
***

370
00:13:27,040 --> 00:13:29,742
WHAT'S THE MATTER, CAMBO?
YOU SEEM A LITTLE DOWN.

371
00:13:29,742 --> 00:13:30,844
NO, I KNOW. IT'S JUST...

372
00:13:30,844 --> 00:13:32,345
MELANIE SHOULD BE HERE
WITH US.

373
00:13:32,345 --> 00:13:34,414
I DON'T KNOW WHY
SHE JUST BAILED LIKE THAT.
OHH.

374
00:13:34,414 --> 00:13:37,117
LOOK AROUND YOU. YOU'RE SWIMMING
IN A SEA OF BEAUTY.

375
00:13:37,117 --> 00:13:38,618
GIVE ME YOUR MONEY.

376
00:13:38,618 --> 00:13:40,220
(laughs)
(laughs)

377
00:13:40,220 --> 00:13:41,955
CAM, LET ME INTRODUCE YOU
TO THE REASON WE ARE ALL HERE.

378
00:13:41,955 --> 00:13:44,291
YEAH, ABE FROHMAN,
THE APP KING OF THE INTERNET.

379
00:13:44,291 --> 00:13:45,192
YEAH. HUGE FAN.

380
00:13:45,192 --> 00:13:46,927
YOUR CODING IS ELEGANT.
OKAY.

381
00:13:46,927 --> 00:13:49,496
JUST GO EASY WITH THE GEEK TALK.
THERE ARE SOME CHICKS AROUND.

382
00:13:49,496 --> 00:13:50,830
YEAH, SORRY.
I JUST--I'VE NEVER MET...

383
00:13:50,830 --> 00:13:51,831
(whispers)
A BILLIONAIRE BEFORE.

384
00:13:51,831 --> 00:13:53,166
THAT HE WHISPERS?

385
00:13:53,166 --> 00:13:54,367
SAY IT LOUDER
SO THE GIRLS CAN HEAR.

386
00:13:54,367 --> 00:13:55,735
(whispering)
OH, MY GOD. OH, MY GOD.

387
00:13:55,735 --> 00:13:57,270
WE'RE DEAD!
WE ARE DEAD!

388
00:13:57,270 --> 00:13:59,339
(normal voice) ABE FROHMAN.

389
00:13:59,339 --> 00:14:01,741
(clenches teeth)
OH, MY GOD. WE ARE SO DEAD.

390
00:14:01,741 --> 00:14:02,910
EXCUSE ME.
WE'RE DEAD!

391
00:14:02,910 --> 00:14:03,977
WE'RE DEAD! (sobs)

392
00:14:03,977 --> 00:14:05,378
TELL ME YOU DID NOT LOSE
THE BRA.

393
00:14:05,378 --> 00:14:06,779
WHAT ARE WE GONNA DO?
WHAT ARE WE GONNA DO?

394
00:14:06,779 --> 00:14:08,081
WHAT ARE WE GONNA DO?

395
00:14:08,081 --> 00:14:09,917
WHY DON'T WE ASK ABE
FOR A MILLION? NO.

396
00:14:09,917 --> 00:14:11,384
FIRST OF ALL, DON'T PANIC.

397
00:14:11,384 --> 00:14:13,954
A DIAMOND BRA DOESN'T GET UP
AND JUST WALK AWAY.

398
00:14:13,954 --> 00:14:16,323
(man) * DAMN, WHAT I GOTTA SAY
 TO GET A PIECE OF THAT? *

399
00:14:16,323 --> 00:14:18,758
* DAMN, WHAT I GOTTA SAY TO GET
 A PIECE OF THAT? *

400
00:14:18,758 --> 00:14:21,428
* DAMN,
 LET ME SEE YOUR RUNWAY WALK *

401
00:14:21,428 --> 00:14:23,696
* MAKE YOUR HEELS CLICK,
 MAKE THE RUNWAY TALK *

402
00:14:23,696 --> 00:14:25,265
* COME ON *

403
00:14:25,265 --> 00:14:26,967
* PRETTY-ASS WOMEN TAKIN'
 PICTURES *

404
00:14:26,967 --> 00:14:28,101
* THEY NEVER COME OUTSIDE *

405
00:14:28,101 --> 00:14:29,769
(crowd cheering)
OH, MY GOODNESS.

406
00:14:29,769 --> 00:14:31,838
* DAMN, WHAT I GOTTA SAY TO GET
 A PIECE OF THAT? *

407
00:14:31,838 --> 00:14:34,975
* DAMN, WHAT I GOTTA SAY
 TO GET A PIECE OF THAT? *

408
00:14:34,975 --> 00:14:36,743
WHAT IS SHE DOING UP THERE?

409
00:14:36,743 --> 00:14:39,046
* DAMN, WHAT I GOTTA SAY TO GET
 A PIECE OF THAT? *

410
00:14:39,046 --> 00:14:40,413
LIKE THAT, HUH?

411
00:14:40,413 --> 00:14:42,049
I BELIEVE
SHE'S TEACHING ME A LESSON

412
00:14:42,049 --> 00:14:44,417
ABOUT WHO'S IN CHARGE.

413
00:14:44,417 --> 00:14:47,587
AND... UPLOADED.

414
00:14:47,587 --> 00:14:49,822
* DAMN, WHAT I GOTTA SAY TO GET
 A PIECE OF THAT? *

415
00:14:49,822 --> 00:14:52,359
* DAMN, WHAT I GOTTA SAY
 TO GET A PIECE OF THAT? *

416
00:14:52,359 --> 00:14:53,793
CHEERS.

417
00:14:53,793 --> 00:14:55,495
* WHAT I GOTTA SAY
 TO GET A PIECE OF THAT? *

418
00:14:55,495 --> 00:14:58,765
* NA-NA, NA-NA, NA-NA,
 NA-NA *

419
00:14:58,765 --> 00:15:00,300
***

420
00:15:00,300 --> 00:15:02,902
WHEW! OHH. I HAVEN'T DONE THAT
SINCE SPRING BREAK.

421
00:15:02,902 --> 00:15:04,404
WHY DID I WAIT SO LONG?

422
00:15:04,404 --> 00:15:05,905
AS DELICIOUS
AS YOU LOOKED UP THERE,

423
00:15:05,905 --> 00:15:07,140
I DON'T THINK
THAT WAS REALLY THE BEST WAY

424
00:15:07,140 --> 00:15:08,708
TO PROVE YOUR POINT.
I HAD TO DO SOMETHING

425
00:15:08,708 --> 00:15:09,876
AFTER I TOLD YOU NOT
TO COME HERE

426
00:15:09,876 --> 00:15:11,511
AND THEN YOU BRING
HALF THE OFFICE.

427
00:15:11,511 --> 00:15:13,313
YOUR LITTLE DANCE ROUTINE
MAY HAVE JUST COST US

428
00:15:13,313 --> 00:15:15,248
A VERY, VERY LARGE JOB.

429
00:15:15,248 --> 00:15:16,749
OH, OKAY.
WELL, THE FUNNY THING IS,

430
00:15:16,749 --> 00:15:18,351
I DON'T CARE ABOUT THIS JOB,

431
00:15:18,351 --> 00:15:20,920
BECAUSE IT DOESN'T PAY
ANY MUN-OH.

432
00:15:20,920 --> 00:15:23,323
I'M NOT TALKING ABOUT THIS JOB.

433
00:15:23,323 --> 00:15:25,525
(chuckles)
HEY! DANCING QUEEN.

434
00:15:25,525 --> 00:15:27,294
WELL, HELLO.
(singsongy) MM.
VERONICA!

435
00:15:27,294 --> 00:15:28,895
THIS IS A GENTLEMAN
I'D VERY MUCH LIKE YOU

436
00:15:28,895 --> 00:15:30,130
TO MEET...
OH.

437
00:15:30,130 --> 00:15:32,632
ABE FROHMAN,
INTERNET BILLIONAIRE.

438
00:15:32,632 --> 00:15:34,267
OOH.
ABE...

439
00:15:34,267 --> 00:15:36,236
MM.
THIS IS SOMEBODY I WOULD EQUALLY
LIKE YOU TO MEET.

440
00:15:36,236 --> 00:15:37,870
SHE'S--
I'M HIS BOSS.

441
00:15:37,870 --> 00:15:41,074
(chuckles) WOW. GOOD STUFF.

442
00:15:42,309 --> 00:15:44,511
THAT MAN WAS THIS CLOSE
TO HIRING US

443
00:15:44,511 --> 00:15:46,879
TO SECURING
HIS ENTIRE ORGANIZATION...
(sighs)

444
00:15:46,879 --> 00:15:49,282
AND YOU HAD TO GO
AND FLASH YOUR ROCKS.
WHAT?

445
00:15:49,282 --> 00:15:50,483
OH.

446
00:15:50,483 --> 00:15:51,951
OHH.
THAT WAS THE BIGGEST JOB
OF THE YEAR.

447
00:15:51,951 --> 00:15:52,952
(chuckles)

448
00:15:52,952 --> 00:15:53,953
HMM.

449
00:15:53,953 --> 00:15:54,988
ENJOY YOUR NIGHT.

450
00:15:54,988 --> 00:15:56,723
UH...

451
00:16:01,728 --> 00:16:02,929
(can crinkles)

452
00:16:02,929 --> 00:16:05,065
(grunts)
(clatters)

453
00:16:05,065 --> 00:16:08,001
MM! HI. HOW WAS RECON?

454
00:16:08,001 --> 00:16:10,203
ANYONE WANT TO PULL
THE BULL... OR BULLS?

455
00:16:10,203 --> 00:16:11,704
I'VE HAD DOZENS OF THEM.

456
00:16:11,704 --> 00:16:13,240
I FEEL LIKE I'VE BEEN RUNNING
WITH THE THINGS.

457
00:16:13,240 --> 00:16:14,874
OOH! (laughs)

458
00:16:14,874 --> 00:16:16,109
YOU WERE HERE ALL NIGHT?

459
00:16:16,109 --> 00:16:19,046
YEAH! I'VE CAUGHT
THE CULPRIT.

460
00:16:20,347 --> 00:16:21,548
(beeps)

461
00:16:21,548 --> 00:16:24,851
(beeps)

462
00:16:24,851 --> 00:16:28,555
(gasps) MARCO POLO.

463
00:16:28,555 --> 00:16:31,791
THE WAITRESS WAS SIGNALING
WHEN THE DEALER HAD A BUST CARD.

464
00:16:31,791 --> 00:16:33,260
I FOUND DOZENS OF INSTANCES.

465
00:16:33,260 --> 00:16:34,727
WELL, YOU NEVER CEASE
TO IMPRESS, DO YA?

466
00:16:34,727 --> 00:16:35,995
THANK YOU.
MM-HMM.

467
00:16:35,995 --> 00:16:38,131
SO I GUESS CHASING
GOZER THE GOZERIAN WAS

468
00:16:38,131 --> 00:16:40,100
A WASTE OF TIME, EH?

469
00:16:40,100 --> 00:16:42,269
GOZER THE GOZERIAN?

470
00:16:42,269 --> 00:16:44,737
THE ALL-POWERFUL DEMIGOD
FROM "GHOSTBUSTERS"

471
00:16:44,737 --> 00:16:47,140
THAT ASSUMED THE FORM
OF THE STAY--
AHEM. AHEM.

472
00:16:47,140 --> 00:16:50,410
NOT THE TIME
FOR FUN FACTS, RICKY.

473
00:16:50,410 --> 00:16:53,380
UH, YOU DID... (chuckles)

474
00:16:53,380 --> 00:16:58,451
YOU DID GO TO THE CASINO
LAST NIGHT, CORRECT?

475
00:17:02,055 --> 00:17:03,756
WE, UH--
(pats back)

476
00:17:03,756 --> 00:17:07,360
UH... OK--UH...

477
00:17:07,360 --> 00:17:11,698
WE... SORTA... WENT
TO THE PRETTY LADY PARTY.

478
00:17:11,698 --> 00:17:14,367
IT SUCKED, THOUGH.
THE PARKING WAS A NIGHTMARE.

479
00:17:14,367 --> 00:17:17,036
(chuckles)
SO YOU--YOU USED ME

480
00:17:17,036 --> 00:17:18,338
FOR BREASTS.

481
00:17:18,338 --> 00:17:19,606
UH, NOT JUST ANY BREASTS.

482
00:17:19,606 --> 00:17:21,841
THEY WERE
PROFESSIONAL TIGGLE BIDDIES.

483
00:17:21,841 --> 00:17:24,777
RIGHT. WELL...

484
00:17:24,777 --> 00:17:27,046
SCORE ONE FOR THE COOL KIDS.

485
00:17:27,046 --> 00:17:30,217
YOU PRETENDED YOU LIKED ME

486
00:17:30,217 --> 00:17:33,720
AND TRICKED ME INTO FEELING
LIKE PART OF THE TEAM.

487
00:17:35,188 --> 00:17:36,689
WELL DONE.

488
00:17:38,225 --> 00:17:39,826
(footsteps depart rapidly)

489
00:17:39,826 --> 00:17:43,163
(door opens and closes)

490
00:17:43,163 --> 00:17:45,165
I'M ONE
OF THE COOL KIDS NOW?

491
00:17:45,165 --> 00:17:46,766
(chuckles)

492
00:17:48,135 --> 00:17:49,702
KNOCK, KNOCK.

493
00:17:49,702 --> 00:17:54,407
OH, HEY. JUST CHILLING OUT
WITH MY "KAMA SUTRA."

494
00:17:54,407 --> 00:17:56,042
I DON'T KNOW ABOUT YOU,
BUT SEEING PEOPLE

495
00:17:56,042 --> 00:17:58,511
TWIST THEMSELVES INTO
UNLIKELY SEXUAL POSITIONS

496
00:17:58,511 --> 00:18:01,148
JUST... (sighs)
REALLY RELAXES ME.

497
00:18:01,148 --> 00:18:05,051
SO YOU'RE NOT STILL ANGRY ABOUT
THE LITTLE PANTY PARTY, ARE YA?

498
00:18:05,051 --> 00:18:06,753
NOT ABOUT THE PARTY.

499
00:18:06,753 --> 00:18:09,856
I'M UPSET BECAUSE I HAVE
TO APOLOGIZE TO YOU

500
00:18:09,856 --> 00:18:15,495
FOR SCREWING EVERYTHING UP
WITH THAT STUPID APP KING.

501
00:18:15,495 --> 00:18:18,131
WELL, I DID JUST GET OFF
THE PHONE WITH SAID APP KING,

502
00:18:18,131 --> 00:18:20,167
AND HE HAS HIRED US.

503
00:18:20,167 --> 00:18:21,768
APPARENTLY,
YOUR LITTLE DANCE ROUTINE

504
00:18:21,768 --> 00:18:24,204
HAS GONE VIRAL
AND MADE HIM A FORTUNE.

505
00:18:24,204 --> 00:18:25,605
OH, MY GOD.

506
00:18:25,605 --> 00:18:29,075
PLEASE TELL ME MY BOOBS
LOOK FANTASTIC.

507
00:18:29,075 --> 00:18:31,978
YOUR BOOBS LOOK LIKE
A MILLION BUCKS.

508
00:18:31,978 --> 00:18:33,946
HMM. WHY AM I NOT SURPRISED?

509
00:18:33,946 --> 00:18:36,816
MM. LOOK, YOU KNOW...
(sighs)

510
00:18:36,816 --> 00:18:39,152
YOU ARE NOT THE ONLY ONE AROUND
HERE WHO NEEDS TO APOLOGIZE.

511
00:18:39,152 --> 00:18:42,722
I MEAN... (inhales deeply)
YOU ARE THE BOSS,

512
00:18:42,722 --> 00:18:45,592
AND, UH... (whispering)
I NEED TO GET USED TO THAT,

513
00:18:45,592 --> 00:18:48,228
SO I AM SORRY.

514
00:18:48,228 --> 00:18:49,696
(sighs)

515
00:18:49,696 --> 00:18:53,566
OH, MY GOD.
ARE WE HAVING A MO-MO?

516
00:18:53,566 --> 00:18:55,902
(chuckles) WELL, WE WERE
UNTIL YOU SAID "MO-MO."

517
00:18:55,902 --> 00:18:57,337
(chuckles)

518
00:18:59,772 --> 00:19:02,709
(Molly sobbing)

519
00:19:09,816 --> 00:19:12,252
ARE YOU OKAY?

520
00:19:12,252 --> 00:19:13,686
(mouth full)
I'M FINE. THANK YOU.

521
00:19:13,686 --> 00:19:16,323
I'M JUST HAVING
A SNACK BREAK. (chuckles)

522
00:19:16,323 --> 00:19:18,691
I'M GONNA... (grunts)
PLEASE DON'T.

523
00:19:18,691 --> 00:19:21,060
(voice breaking)
I JUST WANT TO BE LEFT ALONE.

524
00:19:21,060 --> 00:19:22,229
(grunts and sniffles)
(grunts)

525
00:19:22,229 --> 00:19:24,197
I'M A MESS! (sobs)
(grunts)

526
00:19:24,197 --> 00:19:26,566
(squeals)
OHH. (sighs)

527
00:19:26,566 --> 00:19:28,701
LOOK, LOOK, IT'S TRUE, OKAY?

528
00:19:28,701 --> 00:19:30,870
WE USED YOU TO GO
TO THE PARTY.

529
00:19:30,870 --> 00:19:33,072
IT WAS A...
STUPID THING TO DO.

530
00:19:33,072 --> 00:19:35,475
IT'S FINE. (chuckles)

531
00:19:35,475 --> 00:19:37,777
I'M USED TO BEING TREATED
LIKE AN OUTCAST.

532
00:19:37,777 --> 00:19:40,447
I GREW UP
THE WEIRD HOMESCHOOLED GIRL,

533
00:19:40,447 --> 00:19:43,216
AND THEN I WAS FAST-TRACKED
TO UNIVERSITY AT 14,

534
00:19:43,216 --> 00:19:44,384
BUT NOBODY WANTED
TO BE FRIENDS

535
00:19:44,384 --> 00:19:47,254
WITH A PINT-SIZE SWOT.
(chuckles)

536
00:19:47,254 --> 00:19:49,021
I THOUGHT MAYBE THINGS
WOULD BE BETTER

537
00:19:49,021 --> 00:19:51,458
NOW THAT I'VE GRADUATED,
YOU KNOW... (chuckles)

538
00:19:51,458 --> 00:19:53,860
BUT HERE WE ARE AGAIN.
(chuckles)

539
00:19:53,860 --> 00:19:56,496
YOU KNOW, UH... (sighs)
I DIDN'T FIT IN AT FIRST EITHER.

540
00:19:56,496 --> 00:20:01,200
(chuckles) PLEASE. YOU ARE
MR. COOL FIST-BUMP GUY.

541
00:20:01,200 --> 00:20:04,337
NOW, BUT IT TOOK TIME.

542
00:20:04,337 --> 00:20:06,939
I MEAN... (sighs)
IF YOU FEEL LIKE A FREAK,

543
00:20:06,939 --> 00:20:09,208
THEN THIS OFFICE IS PERFECT
FOR YOU.

544
00:20:09,208 --> 00:20:12,779
I DO FEEL LIKE A FREAK.

545
00:20:12,779 --> 00:20:15,982
COME ON.
YOU KNOW YOU WANT TO.

546
00:20:15,982 --> 00:20:19,952
(Free Energy's
"Something In Common" playing)

547
00:20:19,952 --> 00:20:21,421
(chuckles)

548
00:20:21,421 --> 00:20:23,323
(chuckles)
THAT WAS MY FIRST TIME.

549
00:20:23,323 --> 00:20:26,659
YOU'D NEVER KNOW.

550
00:20:26,659 --> 00:20:28,461
I'M GONNA TRY
AND GET OUTTA HERE.

551
00:20:28,461 --> 00:20:29,662
OH.
(opens door)

552
00:20:29,662 --> 00:20:30,463
MAYBE JUST W--

553
00:20:30,463 --> 00:20:31,798
WHOA!
OH!

554
00:20:31,798 --> 00:20:34,133
OHH!

555
00:20:34,133 --> 00:20:36,369
* MAYBE *

556
00:20:36,369 --> 00:20:40,607
* WE GOT SOMETHING IN COMMON *

557
00:20:42,342 --> 00:20:45,111
* SO COME ON *

558
00:20:45,111 --> 00:20:46,779
* WE CAN TRUST *

559
00:20:46,779 --> 00:20:50,116
* THERE'S SOMETHING IN COMMON *

560
00:20:50,116 --> 00:20:52,251
* BETWEEN US *

561
00:20:52,251 --> 00:20:54,487
* OH, COME ON *

562
00:20:54,487 --> 00:20:56,255
* WE CAN FIND *

563
00:20:56,255 --> 00:20:58,525
* THERE'S SOMETHING IN COMMON *

564
00:20:58,525 --> 00:21:01,594
* BETWEEN OUR LIVES *

565
00:21:03,730 --> 00:21:06,666
IT'S TIME
YOU FINALLY WATCH THIS.

566
00:21:06,666 --> 00:21:08,335
IT'S AN AMERICAN CLASSIC.

567
00:21:08,335 --> 00:21:14,374
OH! UM, BILL MURRAY, RIGHT,
FROM--FROM THE ART HOUSE FILMS?

568
00:21:14,374 --> 00:21:16,609
WE'LL GET THERE.

569
00:21:16,609 --> 00:21:20,713
I THINK SOMEONE'S...
(singsongy) JEALOUS.

570
00:21:21,681 --> 00:21:24,150
* WHOA, OH, OH, ALL RIGHT *

571
00:21:24,150 --> 00:21:26,419
* WHOA, OH, OH *

572
00:21:26,419 --> 00:21:28,555
* WHOA, OH, OH, ALL RIGHT *

573
00:21:28,555 --> 00:21:31,123
* WHOA, OH, OH *

574
00:21:31,123 --> 00:21:33,460
* WHOA, OH, OH *